![]() ![]() Liquid Rhythm populates the BarForm List with commonly occurring BarForms for the chosen instrument and includes a number of filters to refine the selection. There are a number of features in the software for the formulation of entire BarForms as well as for editing minuscule details of the rhythms. Users can import custom sample libraries as well. There are a wide selection of genre-based sounds, ranging from Acoustic to Techno, within the program. Users begin by selecting an instrument and dragging it onto a slot in the Arranger. Liquid Rhythm’s main ‘view’ is the Arranger window, where users can create and edit BarForms and BeatForms. The Music Molecule engine is patented in both the USA and Canada. By grouping these notes into modular containers, the Music Molecule provides structure to raw MIDI and captures the relationships between notes. BarForms are groups of BeatForms that are one bar in length. BeatForms are one 8th note long with the number of note events indicated by the colour of the BeatForm: red BeatForms contain three note events, blue BeatForms contain two note events, and purple BeatForms contain one. Liquid Rhythm is based on WaveDNA’s patented Music Molecule technology, which visualizes notes and rests in BeatForms. Liquid Rhythm operates as a standalone program for macOS and Windows, and as a DAW plug-in in the Max for Live, VST, AU, and RTAS formats. The software’s core technology, the Music Molecule, visualizes patterns and relationships between MIDI notes and allows users to create and edit note clusters and patterns rather than individual notes. ![]() Liquid Rhythm is a beat sequencing and rhythm generation software developed by WaveDNA and initially released in 2010. By the way, according to the press release, all the sounds come from Kolàr’s machines, except for Joan Serinyà’s double bass on Trigger and Avoiding The Obvious, which bestows an earthly face on the first of the two tracks in particular.Java_(programming_language), Max_(software), C++ And the album obeys, clearly becoming more experimental in the second half, but not losing sight of the meditative beauty it seeks over the entire distance. Free drifting is the motto that promises the most for Spain based Jason Kolàr. ![]() Chimes and synths that appear almost arbitrarily at irregular intervals strive to dissolve any puritanical demands placed on structure and rules. The title track, by contrast, allows the playful strokes to overlap, weaving a new-age hammock into which A Soothing Walk, despite its name, forces itself upon the listener even more decisively. I Have No Idea, for example, despite being introspective, features a lively rhythm guitar that steals the show from the synthetic timbres omnipresent on pretty much every track. Mere referencing, however, doesn’t quite do justice to Jason Kolàr’s third album, which, like its predecessor from last year, Loops and Pieces (2017-2020), is released on the Belgian label Dauw. Magic Random Exotism as the second track dabs even more deliberately in the colour palette of Kankyō Ongaku with its reverberating strokes. Even the opener Bells could have taken place at the same time as milestones in the genre like Hiroshi Yoshimura’s Green. With its minimal tracks aimed at a light-hearted listening experience, »Liquid Rhythm« docks straight onto the genre of Japanese environmental music. To play the media you will need to update your browser to a recent version.
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